Charles Summers
Born 27 July 1825
Died 24 November 1878
Active: 1844 - 1878
Country of birth: England
Country of death: France
Sculptor
Born at Charlton Mackrell, Somerset. He was the son of George Summers, a builder and mason. Charles showed an early talent for taking likenesses but because his father's business ran into difficulties he worked in the building trade from an early age. In about 1844 he attracted the attention of the sculptor Henry Weekes while assisting in the erection of a monument at Weston-super-Mare. On the strength of this, Summers moved to London and worked as a polisher in Weekes' studio. This was followed by a period assisting Musgrave Lewthwaite Watson (1804-47) including the colossal group of Lord Eldon and Lord Stowell (now in the library of University College, Oxford) which he helped finish after the sculptor's death.
In 1848 Summers entered the Royal Academy Schools and was awarded a number of medals for modelling and also received a prize for a work exhibited at the Great Exhibition in 1851. He was diagnosed with suspected tuberculosis in 1852 and advised to emigrate to Australia. Summers arrived in Melbourne (following his brothers and father) and after a slow start, established a very successful practice, becoming the pre-eminent sculptor in Australia. He held various educational positions and was active in promoting the earliest artists’ society in Melbourne, the Victorian Society of Fine Arts.
Summers' His work as a sculptor included portrait busts, prize medallions and large free-standing statues and monuments.
In 1866 he returned to England and the following year settled in Rome where he established a studio that is said to have employed about 20 assistants at the time of his death. Summers' reputation was such that he continued to produce work for Australia as well as England throughout this time. Among his best-known pupils were pupils were Charles Stanford and Margaret Thomas. Summer's son, Charles Francis Summers (1857-1945), also became a sculptor and worked with the Italian sculptors Giovanni Battista Lombardi and Giovanni Maria Benzoni. Charles Summers died after an operation at Neuilly-sur-Seine, France, and was buried in the Protestant cemetery in Rome.
Wealth at death: £300 0s. 0d.
This was his personal estate in England, it is assumed he had a larger estate in Italy where his studio was located.
Probate date: 9 December 1878
Works
Dates are usually the year a work was exhibited so may differ from date of production.
New entries have been made each time a work was exhibited. Click here for more information.
Bust, in marble, of Charles Lockey, Esq.
Locations
Address 81 Warwick Street Pimlico London | View on map
1849 - 1850
Address 86 Warwick Street Pimlico London | View on map
1851
Address 10 Warwick Place London | View on map
1851 - 1853
Address 105 Collins Street Melbourne | View on map
1864
Address 3 Strand London? | View on map
1868
Presume this was a London address.
Address 72 San Nicolo del Tolentino Rome | View on map
1870 - 1878
Exhibitions, Meetings, Awards and other Events
Exhibited at The Exhibition of the Royal Academy of Arts, The Eighty-Fourth, 1852
Exhibited at The Exhibition of the Royal Academy of Arts (Summer Exhibition), 1768-
1849 - 1876
Exhibited 12 times, forty-four works in all (medallions, busts, statuettes, and ideal works).
Exhibited at Great Exhibition of the Works of Industry of all Nations (London), 1851
1851
Exhibited at Liverpool autumn exhibition of modern pictures: the fourth (Free Public Library and Museum, Liverpool), 1874
1871
James Wood, Esq. (cat. no. 1077, marble bust, not for sale).
Sources
A Biographical Dictionary of Sculptors in Britain, 1660-1851
2009
http://217.204.55.158/henrymoore/sculptor/browserecord.php?-action=browse&-recid=2615&from_list=true&x=0 (accessed 13 November 2013)
England & Wales, National Probate Calendar (Index of Wills and Administrations), 1858-1966
2010
Name: Charles Summers
Probate Date: 9 Dec 1878
Death Date: 24 Oct 1878
Death Place: Rome, Italy
Registry: Principal Registry
Liverpool autumn exhibition of modern pictures, 1874 Walker Art Gallery
1874
pp. 42-43.
The Exhibition of the Royal Academy of Arts, The Eighty-Fourth, 1852
1852
Citing this record
'Charles Summers', Mapping the Practice and Profession of Sculpture in Britain and Ireland 1851-1951, University of Glasgow History of Art and HATII, online database 2011 [http://sculpture.gla.ac.uk/view/person.php?id=msib7_1206707116, accessed 29 May 2023]